Foxcatcher Re-Visited


Now that I have seen the Foxcatcher movie, I can comment with more certainty and accuracy about it. I wrote about my assumptions in Foxcatcher Pre-Visited. The story itself is a reflection on the sorry state of support for Olympic athletes in our country: the Olympic ideal lives in poverty. But for the lack of support for Olympic athletes, the story would not have happened. Olympic gold medal winning siblings, Dave Schultz and Mark Schultz, would not have needed to rely on the money and support of the psychotic benefactor, John DuPont. There would have been greener pastures for these thoroughbred athletes to play out their careers.

The movie is more than that, however. It is about character, strength and weakness. Character, strength and weakness are not always readily apparent until tested in the arena. Some people rise to the test on the strength of character; some people can be inspired by the character of others; and some people want the honor and nobility of character without having the substance of it.

The opening to the movie shows the DuPont legacy as a leading American family in patriotism, wealth, business and developer of champion thoroughbred horses. John DuPont was born into that legacy, but the legacy alluded him personally. From the vantage of the viewer, that legacy was more like a specter that mocked him. DuPont aspired to be part of that legacy, but DuPont’s vision of himself was an apparition.

Steve Carrell is unrecognizable as the ghoulish DuPont. His performance is Oscar worthy. The palatial estate spreads out over hallowed ground near Valley Forge, where he fancied himself a patriot, a philanthropist and a great American person – everything his family history suggested he should be. But, DuPont was friendless, lonely, delusional and psychotic. He settled long ago for the appearance of greatness, having no foundation for the substance in himself.

Channing Tatum is the moody, self-doubting hulk of an athlete, Mark Schultz. The younger Schultz and his brother, Dave Schultz, played by Mark Ruffalo, grew up without a father. The movie is based on the story of Mark, who was largely raised by his brother, only 18 months older. He knew no privilege, but for the natural gift of athleticism that he had in spades. The Olympic gold medal he won, the pinnacle of athletic achievement, however, was not large enough to plug the gaping hole left by a childhood lacking in parental involvement and stability. Mark had wrestling; but he was alone and had nothing else.

Mark Ruffalo completes the trio of sure Oscar nominees as Dave Schultz. Ruffalo became the affable, elder Schultz, taking on his very mannerisms and demeanor. In reality, Dave Schultz was a student of the sport of wrestling; he was also teacher, mentor and coach, willing to help anyone, even his opponents. Dave had the things money could not buy, including a family. He was honored among his peers worldwide.  He was a virtual ambassador of the sport. Having learned Russian, he was welcomed as a star even in the cold war Soviet Union.

Dave Schultz was gregarious and humble. Only 18 months older than his brother, Dave was a father, brother, mentor, coach, ambassador to the world – he was a great man with real character. Dave Schultz is not the focus of the movie, however. The movie is the Mark Schultz story, and DuPont stars as the parasitic benefactor.

The Schultz brothers rose from the humblest background to world and Olympic champions. Dave Schultz lead the way on the strength of his character, work ethic, study of the sport, personality and relentless pursuit of excellence. Dave Schultz is the real thing, full of substance, honor, nobility, character and achievement that recognized by all.

Dave Schultz is everything John DuPont was not. DuPont was raised in privilege, but he was a wisp of the person he imagined himself to be. We see this in the scene in front of the prodigious trophy case in the generous den of the massive estate was filled with accolades of days gone by. They were trophies not earned by John DuPont. When two Foxcatcher wrestlers won world medals, DuPont had the biggest trophies moved from the case to make room for the two world medals that DuPont also did not earn – a metaphor for his sorry life.

The fact that the World medals were tiny in comparison to the over-sized trophies of thoroughbred horses is also telling. The horse trophies took on more significance in prominence and placement in the cavernous den of the DuPont manor than world medals earned mano-y-mano, through blood, sweat and strength of will in the honest struggle of men against men. The affected nobility of wealth and privilege is more highly valued than the substance and character out of which common men hue their destinies.

Mark Schultz was more affected by the absence of a father and unstable childhood than his brother, maybe, because he did not have to be the strong one. Only 18 years younger than his brother, he was highly dependent on him. He also lived in his shadow of the strength, character and personality of his brother. He thrived in connection with his brother, but he withered apart from him.

DuPont saw that weakness and attempted to exploit it. DuPont desperately wanted to be something, and his way to achieve what he wanted to be was to buy it. He saw the value in the unsung heroes that are wrestlers, and thought he could strap himself to the honorable and noble value of the World’s Oldest Sport like a man strapped to a rocket heading to the moon.

DuPont had never earned anything in his life. His life, position, money and name were all given to him. He had no friends. His accolades were manufactured. He found in Mark Schultz someone who was not adequate in himself, in spite of his achievements. The younger Schultz had nothing but wrestling, while his brother had moved on to family and mentoring others as a father, husband and coach.

DuPont found Mark willing to accept DuPont’s stilted patronage, but he could not thrive under DuPont’s shadowy tutelage. DuPont only fancied himself a coach, a great leader and a man of inspirational substance. DuPont scripted the relationship, but the doughy actor of the story concocted in his own mind could not produce in Mark Schultz the substance that he he desired to replicate.

Eventually, DuPont rejected the weakness in Mark Schultz, though he never seemed to recoil from the façade in which he hid his own weakness. Dave Schultz accepted an offer he could not refuse to give his family a stable environment, something he never experienced for himself growing up, but the affection of Dave Schultz could not be bought. The elder wrestling statesmen immediately took over the Foxcatcher room as easily as strolling into it. Leadership was in his gait and substance was in every word he spoke.

The natural strength and substance of Dave Schultz eclipsed the weak and shadowy DuPont. Schultz would not play the part DuPont wanted of him. He would not allow the shady affectations of DuPont interfere with the real business of training men, including his brother. If Schultz had a weakness, it was that he accepted the assignment for what it appeared: an opportunity to train world champions and provide for his family a stable home. Schultz was a man of substance among men of substance and could not identify with or understand the pretensions of the unstable, delusional mind of DuPont.

In the final scene of the movie, DuPont watches a tape of Mark Schultz giving a speech DuPont wrote for Mark to deliver extolling DuPont as a father figure, mentor and coach. None of it, of course was true. DuPont previously tried a different speech on for Dave Schultz to give, but the older Schultz could not do it – because he would not say what was clearly not true.

DuPont, however, could not accept the truth. As he had done his entire life, he played out the lie. Without any warning and few words, DuPont instructs a servant to drive him to the Schultz house on the compound where Schultz is working on his own car. Schultz greets DuPont, and DuPont shoots him without a word spoken.

In what some might say is the most ironic and poignant scene of the movie, DuPont’s mother refuses to allow him to place a medal DuPont won in an old timer wrestling tournament in the main trophy case. She also tells him, “Wrestling is a low sport. I don’t want to see you low.” Appearances and realities are two very different things.

It is also ironic that DuPont saw the value in the unsung heroics of wrestling, but he could not attain to it. True character and nobility in the movie is seen in the strong but tender Dave Schultz. Privilege and advantage could not give DuPont what he wanted most, but it gave him power –power that he used to buy a facsimile of that honor and nobility; and, when he could not purchase the words from Dave Schultz’s mouth, he simply eliminated Schultz like one of his mother’s thoroughbred horses.

Foxcatcher Pre-Visited

SONY-FXOS-03_102414_SteveCenter_FINAL.inddI cannot title this piece “Foxcatcher Revisited” because I have not seen it yet. I have read a lot about the movie. I know the story. I know one of the wrestlers who was there, on the estate, when the shooting happened. I have talked to him on several occasions about the details.

I am also a wrestler. Once a wrestler, always a wrestler. All five of my boys wrestled at some point. Two of them were state placers and All-Americans. One of them wrestled at the Olympic level. I know wrestling.

If you know wrestling, you know the Foxcatcher story. I do not necessarily mean that you know the movie story; you know the story behind the story.

The story behind the story is that wrestling, the world’s oldest sport, a sport of character and real life heroes, is under appreciated, relatively unknown and misunderstood, existing in the shadows of more popular and popularized sports. Wrestling is like the orphan or the widow of the sports world. It is fitting then, that one of wrestling’s true heroes, Mark Schultz, grew up fatherless with his brother, Dave Schultz, who are the protagonists in this Cannes award winning production.

Actually, Dave Schultz is the hero. He was a father figure to his 18 month younger brother. He was the face of wrestling in the US, like Dan Gable was in the previous generation. He was an ambassador of wrestling, receiving a hero’s welcome in foreign countries like a dignitary. He was better known in the Soviet Union and Iran than in his own country.

Unlike wrestling in those countries, there is minimal support for wrestling in this nation of overabundance and wealth. In the Foxcatcher days, Olympic athletes were still required to be amateurs, which was really a joke considering how foreign athletes were completely supported by their governments. For US wrestlers, it meant they had to live like beggars.

In that atmosphere, a pasty white, doughy, junkie, reclusive millionaire with bizarre, egocentric delusions of grandeur seemed like a savior. I am describing John DuPont, of course. He is the real life antagonist in the Foxcatcher movie. The Olympic athletes, including, perhaps, the greatest wrestler of his generation, had to put up with the egomaniacal paternalism of John DuPont, who would be despised in the company of street urchins, as the price for continuing to follow their Olympic dreams. The other option was living at the poverty level. They had all done that already.

This movie really hits home for the amateur wrestling world because nothing much has changed. While the average baseball, football or basketball player makes millions of dollars as rookies, most of the very best wrestlers this country has to offer live at the poverty level. Olympians are no longer constrained by the ruse of “amateur” status, but that only makes the present reality a more biting irony.

Only one wrestler at each of the six (yes only six!) Olympic weight classes can represent the country. World cups in the off Olympic years offer a generous eight spots. Three wrestlers at each weight are considered the “world team” and are supported by USA Wrestling. By supported, I mean they get a stipend of $5000 to $15.000…. a year.

Of course, they can live for free at the US Olympic Center in Colorado Springs, but most of them do not (and that is another story). Those same World Team Members and some select others may be sponsored by The New York Athletic Club or Sunkist Kids Wrestling Club. That might add another $3000-$5000 to the coffers and get tournament entry fees, plane tickets and hotels paid. Other clubs come and go, but there are never enough sponsorships to go around.

My son tore a tendon in his shoulder off the bone right after he was offered to be sponsored by Sunkist. There was no sponsorship after that. I had to pay for the surgery to put in a cadaver tendon and the ten (10) months of rehab. That was the first of two major shoulder surgeries along with the plane tickets and hotels I paid for.

In off Olympic years, a world gold medal will earn $50,000 from the Living the Dream Medal Fund, a world silver medal nets $25,000, and a world bronze medal gets a robust $15,000. A WORLD bronze medal provides a poverty level income for a family of two. (US Dept. of Health & Human Services) In Olympic years, an Olympic bronze medal will generate a $25,000 prize, silver a $50,000 reward, and an Olympic Gold Medal is rewarded with $250,000 – all from a fund that has been created by wrestlers through donations provided by wrestlers. There is no other support.

The Foxcatcher movie, in my opinion, is about the sorry state of support for the sport of wrestling in our country. Olympic gold medal winners cannot support themselves and their families without begging for scraps from benefactors. The NYAC and Sunkist are benefactors. John DuPont was a benefactor – a schizophrenic, delusional, homicidal benefactor.

If Olympic wrestlers have to stoop so low to have the opportunity to be the best in the world, what about the number 2 and number 3 guys at those weights? What about the five other number 1 guys at the other weights who are not quite THE BEST IN THE WORLD? Maybe they are 5th best, or 7th or 15th best.  What about the guys, like my son, who spent six years climbing the Olympic ladder and maybe just breaking into the top ten in the country before injury ground that climb to a halt? Or maybe the money runs out, or the grind of working harder everyday than most people have ever trained on their best day for little reward just gets old.

Pasty white lunatics start looking like gods from certain angles. That is what Foxcatcher is about. I have not even seen it yet, but I will.

The Movie has been acclaimed. The actors, Steve Carrell, Channing Tatum, Mark Ruffalo and others, give award winning performances. A comparison of the real life facts and people to the movie shows how “real” and true to life the movie is. (History Hollywood) For a wrestler’s critique of the movie, see this Forbes article.

There have been many articles and reviews. Many of them focus on the exemplary acting and hauntingly real portrayals of the characters. Many of the facts are changed and condensed, but they reveal the essence of what happened. I have read reviews finding supposed political messages and squeezing social commentary from story pulp, but to me it is simply a sad story about the sport I love – the sport that saved me from myself and that has built real character into innumerable lives of men – and women –who need real heroes to inspire them.